It’s perfect, and it’s right at home in Wild at Heart.Ģ. There’s an inherent dreamlike quality to Badalamenti’s music, and it’s as central a piece in this movie as any of the other directorial flairs Lynch airs. The composer for many of Lynch’s early projects (Blue Velvet, Wild at Heart, Twin Peaks, and more), Badalamenti adds an aura of eeriness and spookiness and overall creepiness to the already creepy visuals and tone in Lynch’s movies. There are a few things synonymous with Lynch that can be found in this movie.ġ. A lot of that has to do with the terrific performances from Cage and Laura Dern, but just as much - if not more - can be attributed to David Lynch’s directorial style and touches. It turns out that my favorite Cage movie is Wild at Heart, and it honestly isn’t even close. In 1990, as he was making the delightfully quirky Twin Peaks, David Lynch wrote and directed a movie: WILD AT HEART.įorget what I said about RAISING ARIZONA. It’s that last one who’s the reason we’re all here today. There aren’t altogether too many auteurs in Hollywood today, but they’re all names you know: Quentin Tarantino. ![]() ![]() According to Google (you’re welcome for doing the work for you), an auteur is “a filmmaker whose personal influence and artistic control over a movie are so great that the filmmaker is regarded as the author of the movie.”īeing regarded as an auteur is a high compliment - with very few exceptions, maybe - because it means you absolutely own your style. ![]() Have you ever been watching a movie you’ve never seen before when you know, with certainty, who the director is? That’s not altogether uncommon, and it has to do with what’s known “in the biz” as auteurs.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |